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【顯社會】微型紀錄片影展/大沐的方舟預告片

場次: L08/09 16:00(映後座談場) 許志漢|2019|台灣TAIWAN|彩色|11min 一艘舟能承載的力量有多大? 2015年的一場TED,導演初遇大沐老師,開始關注他所傳遞的「造舟...

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生命的壯遊|導演 黃嘉俊

學影像製作出身的黃嘉俊,原本打算退伍後要前往美國深造電影,但軍中生涯因921大地震發生後,前往救災,而有了截然不同的體悟與轉向。處在救災現場的他,眼前的煉獄景致開始讓他思考生命的價值究竟為何。親眼目睹...

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追求本質|攝影創作者 林予晞

身為藝人、表演者的林予晞,也是一名攝影創作者,曾舉辦過《時區檔案》攝影展,並出版攝影集《時差意識》。來到數位時代,林予晞堅持底片創作,主要是她喜歡畫面裡具備在場、原始且生猛有力的真實感。 19歲孤自...

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努力成為自己|導演 楊力州

楊力州生於彰化,其父親在農村裡以肖像畫為生活工具,一心想成為畫家,楊力州回憶他童年老家的客廳,總是擺滿50張以上未完成或已完成的遺照。耳濡目染下,楊力州從小也喜歡畫畫,一路升上復興美工,大學也是就讀美...

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台灣的鬼魂|導演 廖建華

高中時就寫詩的廖建華,對創作原就抱有高度熱情,大學時期他就讀工程科系,畢業之際對此生就要成為工程師感到迷惘與不安,而後開始接觸台灣新浪潮電影,對影像十分感興趣,研究所也展開相關的創作,包含拍系上工友的...

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凝視日常|攝影藝術工作者 陳敬寶

陳敬寶拍攝《尋常人家》的契機,有幾個起源,其一是有不少國際攝影家會針對家庭生活進行計畫式拍攝,但臺灣比較少見;其二是他在日本橫濱駐村時,生起進入日本家居環境進行拍攝的念頭;其三是天母有居住空間要拆除重...

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找尋台灣的感動|攝影師 楊順發

文/王姿佩 採訪當天,我們踏進雲門劇場的展覽空間,攝影師楊順發正在調整台灣土狗的展覽作品,152張照片預計要拼成一個五公尺寬的巨幅相片,這麼大的作品,展出的相片畫質依然精緻,完整呈現楊順發創作時...

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為人生創造活路|導演 卓翔

迄今以戲曲文化為主題,卓翔拍攝了《乾旦路》、《一個武生》,與及入圍今年度金馬獎最佳紀錄片的《戲棚》。起初會注意到傳統戲曲,是因為白先勇製作的《青春版牡丹亭》,他莫名地非常受崑曲的聲音的吸引,而後就開始...

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最真實 最美|紀錄片導演 黃邦銓

現居住於法國巴黎的黃邦銓,以《回程列車》、《去年火車經過的時候》備受矚目,屢獲大獎,尤其是後者奪得台北電影獎―百萬首獎,並入圍本年度金馬獎最佳紀錄片。 《回程列車》係從一秒一格的底片放映開始,黃邦銓...

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以繪畫為靈魂| 攝影師 翁銘邦

《享世樂園》是翁銘邦橫跨繪畫、攝影、後攝影、數位藝術與劇場概念等領域的系列作品。從事繪畫與攝影創作的翁銘邦表示,山水畫在他的創作中佔了相當大的份量,如〈盛夏行旅圖〉,即是由范寬的〈谿山行旅圖〉轉化而得...